out of sight , the title track, is an elegant house exercise that takes you back to san francisco. recall is a brain bomb, hypnotic and psychedelic but with lots of energy, and has already been supported by the likes of raresh, rhadoo, djebali and apollonia, and is definately the cut to go in this record. to finish things off, romania s rising star mp, known for his works on soulsity and meterze, shows us his own view on out of sight , based on dynamic drums and a with an amazing bass leading the whole thing.

käse kool s fifth release, the friends n no ends ep, is comprised of 5 berlin-based producers, each of which brings his own unique sound to ep. a1, appearance, comes from the face behind crude wax, vincenzo maurice. this tune comes with a rough attitude of sheer analogue house. a2, wismut, comes from the man with the plan, nick beringer. this track speaks for itself with its punchy bass-line and direct groove. b1, visions, comes from a newly formed duo who goes by mode7. this promising duo hits it home with their newest track visions as its sweet and sultry pads play with the drive of bass and drums. lastly b2, system is wack, comes from a producer who goes by the name of aurhythm (aka dennis sekyere). this track speaks for itself, as being very rude with it s rough drive but still keeping its own delicate stems

featuring an eerie spoken word vocal by thomas gandey based on a tarot game, the instrumental is a true dancefloor anthem with hypnotizing arpeggiated analog bassline reminiscing of italo disco, tech drums and synth arrangement. everything flows together into a devilish spoken word breakdown where pads take over and hell breaks loose.

in 1996 paul birken released the classic and now rare as hens teeth surfin superior double 12inch on woody mcbrides communique label. this was to be a revered and respected record that influenced many and is still talked about and played today. now, some 19 years later he follows it up with part 2. nobody works as hard at getting human sounding chattering from their machines as birken and here he treats us to 8 massive cuts of grinding techno that are as humorous as they are danceable.

swedish house hero tiger stripes steps to the barnhus with twilight – a high-octane destroyer of clubs loaded with thunderous drums and shadowy yet sweet organ melodies. the dub version strips the track right down while adding some extra crash ‘n boom before studio barnhus comrade hnny closes things out with a slow-swingin spook story recorded straight to cassette. vinyl only until further notice.

what can be said about kerri chandler that hasn t already been said? the man is one of the greats of contemporary house music, a true legend & one of the most hard working & consistent producers out there today. trionisphere, his (second) lp from 2003 has it all, those gritty drums, the deep garage groove, the church feeling that influences so much of his sound & those bass-lines that he s renowned for are all here, not forgetting the outstanding vocal performances from his long-time collaborator dee dee brave amongst a cast of other guests. the sounds on the lp are wide ranging, from the uplifting latin swing of ye yo ma (mother) to the sparse, pacey, heads down house of it s you we re treated to a glimpse into mr.chandler s sound world across 2x12inchs & we all know that can only be a good thing! trionisphere has always been a fond favourite with house aficionados around the world & hasn t been available for a little while.until now! fully re-mastered, re-pressed & re-released in conjunction with king street sounds, nyc & made available again for 2015 in it s original format with the permission & participation of all rights holders. now s your chance to own a piece of ny/nj house history!

from earlydub records mastermind & creator, french native loquace has honored us with his edition of tabla, for our 5th release. after years of playing alongside flagship artists like: miss kitten, vitalic, stephan bodzin, tini & the gang, julian perez, anja schneider, and yaya, loquace has shown his commitment to the music, and has left quite an impression on many. with such releases on labels such as: little helpers, upon.you, kiara records, moan recordings, and kina music, loquace has made his musical impact, and shown great dedication, and true creativity, to say the least. loquace’s ep, entitled ‘momento’, starts off proper bringing our attention directly to the pulsating bass and excited cymbals, finding yourself on a colossal-like locomotive. nostalgia’s atmospheric rooms, brings us to a moment of breath, a certain euphoric feeling. getaway, takes us to the deep down drums while guiding you to the undertones of the bass. as we yearn for more, loquace delivers us – things. as the track unfolds, it will bring you into a groove, a distinctive rhythm, as the chorus keeps you on beat, the kicks dance around, and the secret stabs transport you to our closing, ending our journey with loquace on this edition of tabla.

the new sagat is truly emotional: the drums are neat and the sounds are warm. tight groovy rhythms travelling within layers of the deepest dark dub without sounding evident or tried. familiar but new. precise funk made of techno frequencies. reverb and delays that bring butter to your ears: melting the earth onto your body. *melt* is a body: it has a rhythmic pattern and synths that pop up like a breathing living organism. *earth* is the landscape: you can visualize it. *organs* is your brain thinking about a better dance world and *body* is what is left to dance in the way old gescom vynils used to.

another slamming rarity from the misty, heady days of the earliest 1990s, coming out of chicagos underground on steve poindexters cult chicago bad boys imprint power move pulls no punches! if you dig that demented, raw, about to come off the tracks chicago ghetto style house then ricky smith is your man! this is a truly rare ep & now it is back again, with a full re-issue complete with all original chicago bad boys artwork & a full re-master!

lee webster s soul reply ep kicks of the year for iutsan with two contrasting, yet seemingly connected tracks. on the chocho side you ll find soul replied - a low slung love song with moodymann-esque sampling and swung-out drums, dipping out occasionally as the female vocal comes in like a lullaby. in contrast on the culo side, you ll find devils avocado - an ibiza terrace style jam that builds from the cutting synth line into a crescendo that finally drops into a total dc10 weapon. an strong start to the year for barcelona based i used to sleep at night.

saes debuts on deep freaks with a collection of three originals that blur the genre lines between deep house and minimal. inspired by late nights in brooklyn, ny the menahan ep delivers a soundscape of evolving chords, chugging drums and just a little bit of acid

rekord 61s first release of 2015 is the strident *sverh* on his own konstruktiv imprint, backed with 3 remixes from radio slave.
radio slaves f.y.n remix 1 draws on the essence of daniel bell, combining a sparse drum track with occasional *sverh* vocal while f.y.n remix 2 kills the kicks completely and favours saturated bleeps and ominous atmospherics. f.y.n remix 3 continues the distorted motif but pairs it with pin sharp and powerful drums. a release that is sure to be deployed in multiple variants due to its jigsaw-like aesthetics.

damn! did somebody upset carlo coz that boy has been throwing down some vicious balls-to-wall beats across his recent releases... and we love it! he got nasty with shaded s gender bender and kicked some serious ass on his latest for carl cox s intec. whilst carlo s latest outings may be fierce, our toronto brother has lost none of the trademark funk that permeates all of his work. the magic ingredient that keeps our hips on the move. carlo returns to mood with deebug, the rampant techno tick that burrows into your brain with its rapid, pincer-like drums and thumping kick. on the flip its fellow ear-bug, no turning back, flows with an almost laid-back and effortless groove. a perfect pair from mr. lio.

first up here is kenloto, a chunky bit of bass driven house with crisp perc. it builds to a nice tense peak with lots of loose, jumbled textures and will make for a fine bit of peak time listening. the other original is whack, which is another tough house cut with firm bass, old school new jersey snare patterns and rolling drums that are rich, warm and rubbery. miguel lobo s remix is a more spritely thing with lithe chords, colourful synths and and a pent up energy that just never stops giving. closing out the fantastic package is paul c & paulo martini who remix kenloto into a trippy affair with ghoulish voices, hard hitting drums and lots of dark wave energy that will carry you late into the night.

marshall jefferson, ron hardy & frankie knuckles collaborating across 2 sides of a single 12inch need we say more? obviously that s a dream line-up right there & of course the results of such a meeting of minds is nothing short of outstanding! just listen to the record & you ll see! essential business... -ride the rhythm- came out on trax in 1986, making it one of the -first wave- house records to land & make a massive impression here in the uk & in europe. marshall jefferson s fingerprints are all over this bad boy, his massive piano riffs, non-stop bass-lines, the pounding drums, everything about this record is just huge! he had an incredible knack for making accessible, club tracks with cross over appeal that the underground heads clamored to get hold of at the same time. throw frankie & ronnie (literally) in the mix & you ve got solid, classic, all-time gold on your hands (& turntables!). fully re-mastered, re-pressed & re-released for 2015 in it s original format with the permission & participation of all rights holders with all original trax label artwork intact.

argentina has a rich history when it comes to dance music and gonzalo solimano is one of the countrys finest electronic flag-bearers. with his unlock recordings imprint he has created a heavy back-catalogue that the likes of barem, guti, luca m and daniel sanchez have all contributed to. after a short break solimano is back with his *factor h* ep and the original mix is a tropical, cow bell laden treat, one that sums up the nation’s sound nicely. on remix duty is both fase and fellow argentinian maestro guti. the producers last full-length was the jazz-inspired *rompecorazones* and now a remix lp is set to follow but here we focus on his amazing edit of *factor h*. guti has maintained the percussive elements of the original but added a significant amount of groove and focused on adding in thick kick drums and more drive. it is one you can imagine on the terraces or at 4am in a darkened room and this is why guti is such a don. pressing on green marbled vinyl)

fango didnt sleep for six months, him and his studio became one thing to conceive his forthcoming album. the double vinyl version comes with 4 tracks full of drama, directly from his cinematic world built on colossal drums and wild clanks. enter the creaking door if you dare.

hot on the heels of introducing a new chilean talent to the mos ranks with its last release, the dutch label starts another international affair for its mos deep offshoot: romanian andrew red hand. andrew, who has been called the romanian underground resistance, has a long history of djing and making detroit inspired techno and electro and across four tracks here, his analogue house with crisp drums and searing acid all burst out of the speakers and into your affections.

after ep1 in summer 2014, jacob korn continues the series with the aptly titled ep2, a collection of tracks that underline jacob s talent to produce dance music with appeal for both the main floors as well as deep house connoisseurs

a.1: rampage is an explosive toolish techno tune, that submerges in a dark but atmosferic radiance with heavy pulsating drums and bass lines that engulfes into total deepness. a track frull of atitude. b.1 chase on the flippside is another straight forward thinking production, that overcomes with overdimensional chords and with an intelligent funky sequence that wraps you in again and again.

creme organization turn to the mysterious ivvvo and lisbon producer lake haze for a new single that comes backed with a remix from label regular legowelt. the single 1 is a hard hitting but fuzzy, misty and hugely spacious house track with deep jacking drums, haunting synths spiralling all around and freaky voices buried deep within. hugely atmospheric and lovably imperfect, it then gets remixed by legowelt. his version of the track flips it on its head, strips back some of the white noise fuzz and reimagines it as a driving techno cut with impish chords, retro arps and high pressure stabs. its a peak time bomb and ensures that this release is a high impact one indeed.

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

victor calderone has stepped up for his first solo release on drumcode with his two track single, burden. featuring two energetic tracks, *skin* and *burden*, victor has used effected vocals to create funky rhythms over the top of some steaming kick drums. the synth stabs lend themselves well across this ep particularly in *burden* where they really augment the flow of the track. the use of percussion phrases throughout both tracks on the single also reinforces the grooves and adds character to create a distinctive sound that keeps the single fresh and exciting.

2016 repress , this is right up the alley of those who digged theo parrishs dance of the drunken drums: a hipnotic piano chord pattern sets the tone, while jerry the cat provides smoking live percussion and a walkin jazz bass bops effortlessly. the flipside dives even deeper into jazz territory with a jazz trumpet improvising over quirky percussion sounds.

herman primes debut 12inch, maajo is a beautiful ode to spring and new birth. maajo pays homage to nigerian music, with its borrowed vocals from juju styles king sunny ade. the track has a house foundation, which shows in its fat kick drums and sub bass groove, while the hypnotic rhodes melody harkens to early minimal electronic pioneers such as manuel göttsching.

the globally trendsetting house and techno family that is visionquest now turns to a new pairing of sonny fodera & gene farris for their debut ep on the label. entitled ‘we work it’, the two-track affair comes with a remix by visionquest man lee curtiss. australian sonny fodera has been at the sharp end of the dance music scene for years now, clocking up huge hits both solo and with green velvet aka cajmere, releasing albums such as afterparties & aeroplanes and appearing on cajual, defected, suara and many more top labels. gene farris, of course, is a chicago house legend who has been active since the nineties, runs his own farris wheel label and has released close to one hundred definitive eps on relief, soma and many others. up first, ‘we work it’ is a lithe ritual of house funk with bent synths and slick mid tempo drums. a spoken word vocal snippet muses on the intake of various substances and the drums roll on infectiously below. it’s sure to be a standout anthem in the months to come given that vocal line and the spiritualness of the keys all around only adds to the effect. the first remix comes from lee curtiss. this one is a much quicker and more peak time bit of tech house with textured, dynamic bass and plenty of drum fills. it’s an involved, more cosmic and tense take on the original, that will build great pressure on the dance floor. all in all this is another on point package from visionquest that will get played far and wide

halftime in the epic episodes series by jouem on mojuba, the big picture is starting to get more and more recognizable. the fourth part is pushing the boundaries of jouem’s unmistakably sound again to new heights. this ep is by far the most dance floor oriented outing by him with fat basslines, heavy but open and dynamic drums and an atmosphere with a feeling that is pure bliss! let the music talk to you! project produced by no other than sven weisemann

tikita is back for it 2nd release, after the timeless reissue of ko-ta, this time the label compiled a solid va four tracker, with contributions from the stratosphere records crew (ko-ta and kiyokazu hamawaki) who delivers two timeless voodoo cuts never been released. the label wanted to balance between the past and the modern hypnotic body & mind wich became the labels identity, iori and artefakt took it as a honest mission to deliver two mindblowing tracks to confirm this body & mind aspect.

apartment returns with a release exploring 3 facets of house music all inter-connected by the vocals of uk soul & rnb singer, greg blackman (bbe music). steve leggets (four hands, claremont 56) original believe mix, the catalyst for the project, is an expansive 10 minute-plus journey through wistful dub lead by blackmans soaring vocals. on the flip mark hand (signals from the north) delivers a re-working, sculpting a beautiful, sun-kissed masterpiece featuring drums and percussion by darren moore alongside hands inspired playing on the rhodes and moog. to close out the release ncw finally makes a return to apt and subsequently gets lost in the dmz pitching and twisting blackmans vocals over a pulsating, bumping house banger.

*i cant even afford bed linen, let alone a 909*. the unpretentious of jay donaldson is disarming in many different ways. we consider donaldson aka palms trax to be one of the most promising new artists to date. his sound situates him firmly along the chicago-detroit axis, cooking up pad-driven jams, off kilter drums and hazy synths that shift like a gentle musical tide. in 2013 he inaugurated the lobster theremin label, the london-based imprint that quickly became one of the most talked about record labels around. when not travelling the world for prime-time gigs donaldson holds a residency at the widely respected berlin community radio. it is with great pleasure that we welcome golden boy palms trax to dekmantel records.

mr mckay is back on drumcode with an ep that is very close to home, titled *glasgow safari*. harvey has blended his synonymous synth stabs and vocal hooks together and has created another outstanding ep. the drums are fat and chunky as always and allow harveys ideas to flow effortlessly over a solid foundation. the smooth use of dynamic throughout harveys tracks also create impressive drops to add to another exceptional ep from harvey.

repitch recordings is pleased to present three new tracks from chicagos stave (j. krohn). *after the social* follows an ep on the irish imprint rensmat and lp on chicago based fss. the new ep continues exercises in foundsound, distortion, and repetition, *after the social* introduces a new challenge to the growing stave catalogue. in the same vein as his work with downwards recording duo talker, krohn continues with the drenched dark tones and distorted drums with this repitch release. influences of punk, metal, noise, detroit techno and ambient all combine to form an uneasy mix of melody and rhythm. the legendary downwards boss karl o connor offers a brilliant mix of *hardened chord* — using the original to create a 4/4 path of destruction.

currently causing quite a stir on the underground, the jerome hill remix of marshall jeffersons s trax classic lost in the groove is a complete re-interpretation, solid jacking (hard) house music using the original vocal that s cut loud onto the vinyl and worms inside your head and has been doing serious damage in the clubs and festivals last year. now with all licensing and red tape cleared away, it s set for release. dancer boom boom is actually a collaboration between acid legend adonis and sidney winters, with a mix down by house legend frankie knuckles. this sat on the b side of am a dog on trax records and is rare & obscure to say the least, but once the needle touches the groove you know it s a killer. massive kick drums and mysterious organ scales, this one is a mad mad tune ! produced in 1987 (and sounding like nothing else from that year) it s been given a very slight and very respectful re-arrangement by jerome hill, remastered and cut super loud. strictly limited and if the previous titles on the label are anything to go by, this one will sell out equally quick.

red laser records are back with a new ep & one of their best yet. all hailing from manchester the release features 3 choice tracks combining italo, house & disco. metrodome returns to the label with an outstanding bubbler of a production. warping house, garage & acid moves into one mind-melter. the track builds in a superbly subtle way glowing with warmth. tingling washes accompany the addictive groove into new places as the acid begins to take control. kid machine drops arguably one his best tracks to date and that s saying something. arpeggiated bass rocks over brick hard drums with extra widescreen synths. this track is full of the euphoria & drama that kid machine does so well. deep as you like italo action. the ep closes with a debut from si fi systems. big & bold this is a rave-hearted session of heavyweight bass & synth squelch.

hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top.

• hotly anticipated fifth release from this brilliant label
• printed disco sleeve
blue hour s fifth release introspective continues to explore faster tempos in classic dance-floor fashion. bright atmosphere and emotive melodies compliment warm staccato drums over three tracks of effective techno.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

it s a big honor that the former member and -minister of information- of underground resistance from detroit alan oldham aka dj t-1000 does a remix for this release. living between berlin and detroit, alan is a mastermind in electronic music and has pitched this track to a strong minimal -detroit meets berlin- version. the gunman remix is a more dramatic sub bass story. with snipped parts of the sigrid elliot vocals, a volumized organ and fx sounds, gunman gives you a blast for the dancefloor peak time. simon beeston, a music lover from new zealand who s also living in berlin, does a deep remix. with drums and a nice sub bass, he s showing his style.

dd kick off 2015 with a fresh 12- and this time its all about the drums! these three tracks span odd s signature minimal style whilst adding a hefty amount of bass weight. percussive nuances pop and creek whilst marble carved kick drums and slicing hats cut through the extensive textures. these are primed and ready club tools with added personality, an essential record!

wiederveroeffentlichung des 1981er albumklassikers mit den roots radics im channel one aufgenommen und mix von scientist in king tubbys studio. die musiker bass: flabba holt, drums: style scott, carlton santa davis, percussion: noel scully simms, christopher sky juice blake, rhythm guitar: bingy bunny, noel sowell bailey, lead guitar: alan bassford, bo pee bowen, keyboards: gladdie anderson, winston wright, horns: dean frazer, nambo robinson. für alle dubheads die info: das gunman album ist die basis von scientist rids the world of the evil curse of the vampires.

the first lobster theremin ep of 2015 comes from london-based newcomer and hazologist, ozel ab. striking a distinct tone with his lucid day-dreamer pads, blown-out mpc drums and werkdiscs-inspired weirdness, this debut release is the missing piece in the final core artist tapestry of the label.

dk is back on antinote with a second record that exudes refinement and class a la dk, meaning: perfect pastel pads with sophisticated cowbells, tasteful toms, riviera playboy boogie bass lines and risqué drums.

vinyl only! killax is back again! this time with a strong various artists on vinyl only. straight from detroit usa, mr. gari romalis made a dancefloor killa track called move me. roller party made by the italian talent giovanni damico will take you back at the golden age with its funky mood. on the b side the killax bosses are back with 2 strong house tracks: pulse made by noego is a mix of heavy raw drums and hypnotic samples, meanwhile, disco disko made by kid mark will make you dance with its cool vocal samples and old school flavor.

introducing the album comes track coma with thousands supa grove percussions and intergalactic keys driving you to a heart of a universe on supersonic speeds. next comes the viking and continues the ep with a serious intellectual sound containing analog vibes mixed with echo keys and drums. a track called akranes brings your mind to a called train passing through snowy siberia with million thoughts and a hot tea in a hand with eyes caught up by snowy fields behind the window. mud gives a shot and brings u down after all the illusions u have during listening an ep, this track will make you shaking in 2-3 seconds so hold on! a true analog sound in a quality pack is that what you prefer to get inside the monsters ep s. monster power!

nice price deal !!! marking the first output of cymasonic s offshot vinyl-only label and collabaration with subwax distribution, the balder ep is a two-hundred copy, hand stamped entry into the world of cymawax. there s no better way to start than with four quality tracks of hot and crunchy norwegian techno with soul by trulz & robin, under their new moniker for otherworldly machine sounds: ksmisk. the duo from oslo have been a force in norway s electronic music scene for over two decades, but their current project is set to bend and exceed all expectations. the title track makes full use of spacial effects to create the kind of landscape deserving of the cavernous exchange of industrial rooms or the breathing walls of smaller sweatboxes. its energetic arpeggiation carries the driving, raw bass line home. less linear and more neurotic, -jonson- squelches its way into existence. next, -water- is as fluid as the name suggests, using deep, delayed dub chords to sustain listeners during its eight minute life. finally, the release ends on -tehjerk- which is full of electricity, heavily charged with distortion and powerful drums before opening up into a euphoric waterfall of melodies. it s fitting that this chronicle should end up pressed onto wax, a monument to the physical launch of cymawax and trulz & robin presenting ksmisk.

speaking minds heißt das neue projekt zweier produzenten und djs aus dem norden italiens. ihre produktionen und dj sets sind im deeperen techno bereich angesiedelt. die veröffentlichungen auf labels wie my favourite robot, aeon, cityfox und jetzt musica autonomica finden großen anklang in den wichtigsten clubs und festivals ganz italiens und europas. geremixt wurde unter anderem schon für dj sneak und flowers and sea creatures. der track who the f..k cares ist eine mischung aus deepen, meditativen arpeggios, melodie und minimal gehaltenen drums, der auf den dancefloor abzielt. christian prommer verleiht dem track ein neues organisches gewand, mit dem fokus auf sub bass und drums. early support by: mind against, my favorite robot, laurent garnier, rainer trüby, dj yellow, roland appel, clarian, hyenah, nunos dos santos, ruede hagelstein, jon charnis, hunter/game, adratique, animal trainer

is it balearic bring the heat with a stunning release from sorcerer. the first track is zulu honda. skipping thick drums and a bouncing bass overlaid with nu med guitars and beautiful synth lines. this track is made for pool parties and lofts. the second track is afro vibes a more atmospheric percussive groove. maribas throbbing bassline and slightly melancholic guitars eventually make way for a subtle acid accent before returning to the groove.. salins jockey club remix zulu honda adding some lovely elements while holding the original feel. top draw from the dependable iib crew

entitled narita, the release is inspired by, and dedicated to, japan, and the tracks are a collage of all the experiences and emotions the producer has picked up there whilst on his travels. this release was also due to be the 44th on the label (which has now made it up to number 67) and so has clearly been cooking for a long time. once again it proves the man behind it to be focused on stripped back and hypnotic grooves, shadowy textures and subliminal synths that are abstract and truly heady. up first, sleepless is a spooky and hypnotic techno roller with icy pads and rubber drums that roll on like a haunted midnight train burrowning deep into your brain. ebisu is even more reserved, with just a light, skipping kick and tinkling, glassy keys suspending you in a wide open space of abstract atmospheric soun d. on th e flip side, mountain splitter is more urgent and immediate, with nervy pads this time racing alongside woodpecker precision and supple drums. it s heady stuff that really distracts you from the world before finally trance is a wash of grainy white noise and groaning synths that soundtrack a word deep down in the depths of the ocean. svreca is a master of getting deep inside both body and brain and does so in different but captivating ways with all four of these cuts.